Written by Nurel Javissyarqi
Translated by Agus B. Harianto
In the book “Les Français et I’Indonésie du XVIe au Xxe siecle” compiled by Bernard Dorléans mentions, in his notes Debussy wrote: “If you hear the strains of Javanese musical with a normal ear of Europe, you have to admit that our music is nothing more than mere basic sounds of traveling circus. “
And according to the professor that was singles to the end, Gertrudes Johan Resink (1911-1997), told that the French composer, Claude Debussy introduces Java Music tones into his musical compositions. It’s heard clearly in his work entitles “La Cathédrale engloutie.” Where “gemelan” tones infiltrated into the deepest soul, since the reflection of character as the soul of entire Java.
Often I heard Javanese’s musical I felt like witnessing valley of paddies in the land of Dwipa, fertile land marks the sustainable soul of its worker, although the price of manure is not felt so relieve, because of the government only concerns their own stomach; high salaries but still corrupt, collusion and such reprobate as their kind.
I refer to the passage of “La Cathédrale engloutie” via youtube with a feeling of chills, vibrated my chest. My heart is like a blister, raised my soul and flied by the strains of its composition. I wanted to dive, in fact I had sunk in, curled up in its depth, penetrated the rotation of quiet and silence of emptiness, be buried long time in the mud of tranquility.
I rose up again by the water source running down to the green of the paddies of hillside, ladder symbolizes the levels of the patient of farmers, and diligence firmly stresses the love of motherland. At immature personalities, they mortgaged and also sold the field for luxury trinkets that merely satisfies the eyes and the ear, sucked by nipples of their innocence by the appearance of sparkling of urban.
So listen to music of your heart, although you got it from afar. Is there a feeling of loss, when the tones of your soul are no more melodious? When you daily life ambushed by intrigue of hurly burly? Turn around; back into the purity as such the pulse of water infiltrates into the sidelines of the clay touched the body. You would be enlightened by the beauty that will not bring you to by powder and lipstick. Come along with the sound of Debussy.
J. Van Ackere on the books of “Musik Abadi (Eternal Music)”, translated by J. A. Dungga, Gunung Agung Djakarta, n.d (no date), the original book entitles “Eeuwige Muziek”, published by NV Standaard-Boekhandel, Antwerpen, Belgie, said:
“People said that Debussy to be the forerunner of impressionism music. Like other (ism) streams, this word was also difficult to decide. It is certain, that the language and techniques of Debussy, there are similarities with impressionist painters. He gives the impression of parenthetically and impressive, he prefers to the color rather than lines, and nuance than the color, the feeling just a vague and a little too, and also often uttered symbolic. Romantic of suffering and violence has been forgotten. Old clothes had been abandoned. ”
As if Debussy’s feet were walking on the muddy field, his music invites to get rest under the tree enjoying the breezy tropical wind, hanging the flowers of white clouds. There is peace tranquility that will not destroy the story, opening the sheet of possibilities through the presence of beauty nuance:
The morning mist, the village girls woke up from their sleep, the unmarried men believed in their fate as sharp as spear on the seriousness of working. A soft caress of the angel of the sunlight; spot’s splashing with the rainbow-colored pierced the shade of the leaves of sesbania trees that are lined on the embankment.
And under the tree of gempol cleaned fingers in the river flowing clearly, before tasted the rice and side dishes as shipment from the old village, prosper the heritage of the ancestors, great grand fathers devoted themselves for the sake of the children of life grasp the real water.
Achille-Claude Debussy was born at August 22, 1862, and died at March 25, 1918 is a French composer. His music is considered the transitional of the romantic period to the modern at the early twentieth century. Along with Maurice Ravel, he was a major figure in music of impressionist, although he does not like giving the name of the stream.
He is the blessed by the quiet of nature, spread subtle threads of withdrawal the tenderness of poetic, similar to the beauty eye balls penetrates memories of the humans, looking at sharp highlight. The light is the flying of magic light illuminated canopy of the house, reassuring the residents in the quiet nights blanketed by confidence. Prayers was flown away by faith, break the silence through the tinkle of water onto the rocks of resignation, the existence was reflected from there, echoes of the seriousness was as wide as the horizon of the heart at the top mountain of the height of life.
Debussy’s music reveals the secrets of self-life, the plucked hear is like heart strings with its vibration provokes the willing, tone’s cohesiveness of the fairies taking a bath in spring shower, evokes the charm from the depth. It is not similar to Wagner’s marked at the death romance, but the subtlety of well personality after read the confusion of life, which never faded to shackle the leg of humane.
Its vibrations lead far beyond the halls of the romantic, miracle is the language. Arrows floating on the air by high level of life grade of creation attained natural goal by God. Or any air bubbles on the surface of the lake, which tempts the bird to gulp and enjoy laughter in sipping of friendly companionship in the township, and lowered its voice into the dreams.
It is vagueness of his music has no sounds of abstract, as odor as the flowers are emanated from stroke painting of the impressive classes, as is archaeologists explores the past to enter into the quiet boisterous of research. He drank the stones speaking in the carefulness, as such the dew on the end of leaves and still reluctant to drop a kiss.
It felt the final moment would not be finished quickly, searchers continued to find a different silence, the peculiar loneliness delivers the question, with softest saying that is melt weakly. Debussy opened the secret doors of the harmony of the world, which is often forgotten by the change of period, and crushed by a bright appearance before our eyes.
His music invites us to close our senses, touches the hearts of each one, which intrinsically the interwoven is the same rhythm of solitude with other compositions. So is the wind-speaking, short pulses of water utters the word tenderly on the lips of stone, then the history is seen as clear as its originality. That is the reasoning balances the data with fidelity of periods, which in contained.
Lamongan-Lirboyo.
the spaces of world figures, literature studies, new school of thought in the world of literature (art, letters, etc.)
Langganan:
Posting Komentar (Atom)
A. Syauqi Sumbawi
A.C. Andre Tanama
Aang Fatihul Islam
Abdul Aziz Rasjid
Abdul Hadi W. M.
Adam Roberts
Adelbert von Chamisso
Adreas Anggit W.
Aguk Irawan MN
Agus B. Harianto
Agus R. Sarjono
Ahmad Farid Yahya
Ahmad Yulden Erwin
Akhmad Sahal
Akhmad Sekhu
Albert Camus
Albrecht Goes
Alexander Pushkin
Alit S. Rini
Amien Kamil
Amy Lowell
Andra Nur Oktaviani
André Chénier
Andy Warhol
Angela
Angela Dewi
Angrok
Anindita S. Thayf
Anton Bruckner
Anton Kurnia
Anwar Holid
Arif Saifudin Yudistira
Arthur Rimbaud
Arti Bumi Intaran
AS Laksana
Asep Sambodja
Awalludin GD Mualif
Axel Grube
Bambang Kariyawan Ys
Basoeki Abdullah
Beethoven
Ben Okri
Bernando J. Sujibto
Berthold Damshäuser
Berto Tukan
BI Purwantari
Birgit Lattenkamp
Blaise Cendrars
Book Cover
Brunel University London
Budi Darma
Buku Kritik Sastra
C.C. Berg
Candra Kurnia
Cecep Syamsul Hari
Chairil Anwar
Chamim Kohari
Charles Baudelaire
Claude Debussy
Cristina Lambert
D. Zawawi Imron
Damhuri Muhammad
Dana Gioia
Daniel Paranamesa
Dante Alighieri
Dante Gabriel Rossetti (1828-1882)
Dareen Tatour
Darju Prasetya
Darwin
Dea Anugrah
Denny Mizhar
Diponegoro
Djoko Pitono
Djoko Saryono
Dwi Cipta
Dwi Kartika Rahayu
Dwi Pranoto
Edgar Allan Poe
Eka Budianta
Eka Kurniawan
Emha Ainun Nadjib
Emily Dickinson
Enda Menzies
Endorsement
Ernest Hemingway
Erwin Setia
Essay
Evan Ys
Fahmi Faqih
Fatah Anshori
Fazabinal Alim
Feby Indirani
François Villon
François-Marie Arouet (Voltaire)
Frankfurt Book Fair 2015
Franz Kafka
Franz Schubert
Franz Wisner
Frederick Delius
Friedrich Nietzsche
Friedrich Schiller
Fritz Senn
FX Rudy Gunawan
G. J. Resink
Gabriel García Márquez
Gabriela Mistral
Gerson Poyk
Goenawan Mohamad
Goethe
Hamid Dabashi
Hardi Hamzah
Hasan Junus
Hazrat Inayat Khan
Henri de Régnier
Henry Lawson
Hera Khaerani
Hermann Hesse
Ibnu Rusydi
Ibnu Wahyudi
Ignas Kleden
Igor Stravinsky
Imam Nawawi
Indra Tjahyadi
Inspiring Writer
Interview
Iskandar Noe
Jakob Sumardjo
Jalaluddin Rumi
James Joyce
Jean-Paul Sartre
Jiero Cafe
Johann Sebastian Bach
Johannes Brahms
John H. McGlynn
John Keats
José de Espronceda
Jostein Gaarder
Kamran Dikarma
Katrin Bandel
Khalil Gibran (1883-1931)
Koesoema Affandi
Koh Young Hun
Komunitas Deo Gratias
Komunitas Penulis Katolik Deo Gratias
Koskow
Kulya in the Niche of Philosophjy
Laksmi Pamuntjak
Laksmi Shitaresmi
Lathifa Akmaliyah
Laurencius Simanjuntak
Leila S Chudori
Leo Tolstoy
Lontar Foundation
Lorca
Lord Byron
Ludwig Tieck
Luís Vaz de Camões
Lutfi Mardiansyah
Luthfi Assyaukanie
M. Yoesoef
M.S. Arifin
Mahmoud Darwish
Mahmud Ali Jauhari
Mahmudi
Maman S. Mahayana
Marco Polo
Martin Aleida
Mathori A Elwa
Max Dauthendey
Membongkar Mitos Kesusastraan Indonesia
Michael Kumpfmüller
Michelangelo
Milan Djordjevic
Minamoto Yorimasa
Modest Petrovich Mussorgsky
Mozart
Mpu Gandring
Muhammad Iqbal
Muhammad Muhibbuddin
Muhammad Yasir
Mulla Shadra
Nenden Lilis A
Nikmah Sarjono
Nikolai Andreyevich Rimsky-Korsakov
Nirwan Ahmad Arsuka
Nirwan Dewanto
Nizar Qabbani
Noor H. Dee
Notes
Novel Pekik
Nunung Deni Puspitasari
Nurel Javissyarqi
Octavio Paz
Orasi Budaya
Orhan Pamuk
Pablo Neruda
Panos Ioannides
Patricia Pawestri
Paul Valéry
Paul van Ostaijen
PDS H.B. Jassin
Penerbit SastraSewu
Percy Bysshe Shelley
Pierre de Ronsard
Poems
Poetry
Pramoedya Ananta Toer
Pustaka Ilalang
PUstaka puJAngga
Putu Setia
Pyotr Ilyich Tchaikovsky
R. Ng. Ronggowarsito (1802-1873)
Rabindranath Tagore
Radhar Panca Dahana
Rainer Maria Rilke
Rakai Lukman
Rama Dira J
Rambuana
Read Ravel
Rengga AP
Resensi
reviewer
RF. Dhonna
Richard Strauss
Richard Wagner
Ridha al Qadri
Robert Desnos
Robert Marcuse
Ronny Agustinus
Rosalía de Castro
Ruth Martin
S. Gunawan
Sabine Müller
Samsul Anam
Santa Teresa
Sapardi Djoko Damono
Sara Teasdale
Sasti Gotama
Saut Situmorang
Schreibinsel
Self Portrait Nurel Javissyarqi by Wawan Pinhole
Seno Joko Suyono
Sergi Sutanto
Shiny.ane el’poesya
Sholihul Huda
Short Story
Sigit Susanto
Sihar Ramses Simatupang
Siwi Dwi Saputro
Soeprijadi Tomodihardjo
Sofyan RH. Zaid
Solo Exhibition Rengga AP
Sony Prasetyotomo
Sri Wintala Achmad
Stefan Zweig
Stefanus P. Elu
Subagio Sastrowardoyo
Sunlie Thomas Alexander
Sunu Wasono
Suryanto Sastroatmodjo
Sutardji Calzoum Bachri
Sutejo
Syahruddin El-Fikri
T.S. Eliot
Taufik Ikram Jamil
Taufiq Ismail
Taufiq Wr. Hidayat
Tengsoe Tjahjono
Thales
The World Readers Award
Tito Sianipar
Tiya Hapitiawati
To Take Delight
Toeti Heraty
Tunggul Ametung
Ulysses
Umar Junus
Unknown Poet From Yugoslavia
Usman Arrumy
Utami Widowati
Vladimir Nabokov
W.S. Rendra
Walter Savage Landor (1775-1864)
Watercolour Paint
Wawan Eko Yulianto
Wawan Pinhole
Welly Kuswanto
Wildani Hefni
William Blake
William Butler Yeats
Wizna Hidayati Umam
World Letters
X.J. Kennedy
Yasraf Amir Piliang
Yasunari Kawabata
Yogas Ardiansyah
Yona Primadesi
Yuja Wang
Yukio Mishima
Z. Afif
Zadie Smith
Zeynita Gibbons
Tidak ada komentar:
Posting Komentar