Tampilkan postingan dengan label Yuja Wang. Tampilkan semua postingan
Tampilkan postingan dengan label Yuja Wang. Tampilkan semua postingan

Minggu, 02 Oktober 2011

Pay to the Music of Rimsky-Korsakoff Through Yuja Wang: Meet Amy Lowell, John Keats until Andy Warhol


Written by Nurel JAvissyarqi
Translated by Agus B. Harianto

Nikolai Andreyevich Rimsky-Korsakov, another nickname of Nikolay, Nicolai, and Rimsky-Korsakoff (March 18, 1844 – June 21, 1908) Russian composer, one of the five composers of “The Five” or well known “The Mighty Handful” is also a music teacher in the field Western music technique and orchestral harmony. He is prominent in the interest of all fairy tales folklore; based on his expertise to compose orchestra, which it says greatly influenced by his interest. (Http://id.wikipedia.org/wiki/Nikolai_Rimsky-Korsakov)

Minggu, 22 Agustus 2010

Listening to Mozart met Thales with Yuja Wang

Written by Nurel Javissyarqi
Translated by Agus B. Harianto

A wanderer is really tired, usually when he arrived at the top of a hill to stop briefly, and then he looked into the valley below. He saw the whole beautiful view of various kinds, just as he made the journey. This is symbolic depiction of the meaning of Mozart in music. It is the beautiful valley. Located on the outskirts of the history and evolution of music, doesn’t meant to be like Wagner intent. Doesn’t look for a new form, but what already existed brought to the top of maturity. If we only have Mozart, the music will have so many aspects like now. All we have found in it have almost the same, perhaps, except its interest to the nature. The whole satisfactory into Mozart: the spirit, heart, feelings, memories. Other miracles can pour it all into the perfect form, which always holds the contents. Laugh cheerily, most pitiful tears to the sight, fully culminated sorrow and joy, it also expressed into a difficult sonnet form.
No one musical poet knows the bitterness; as if he didn’t create the music of joy. Almost for all his music, Mozart ends it cheerfully. He is quick to forget … … While in his life times the happy time less than enough, but the sorrow tones is almost not performed in his music. With Mozart, we are dealing with thorny issues: separation between ordinary human with composer. That is complicated question that can not be comprehended. If it could be solved, we might be understand Mozart’s rarity, and we could know the secret of his art (J. Van Ackere, books of “Musik Abadi” (Eternal Music), translated by J. A. Dungga, Gunung Agung Djakarta, n.d., the original book entitles “Eeuwige Muziek”, published by NV Standaard-Boekhandel, Antwerpen, Belgie)
***

Wolfgang Amadeus Mozart (January 27, 1756 – December 5, 1791), is an influential productive composer of the Classical era.

He has created more than 600 works, many of it recognized as the pinnacle of symphonic, concertante, room, piano, opera and choral music. He is the most enduringly popular of classical composers.

Here, I drew his music’s characteristic just as much as a line of reflection of his life, accompanied by piano played by Yuja Wang when she was young.

It was really far from his fate’s depiction that had ever been a court musician in Salzburg. Because of restless, he was wandering to find his soul’s best position, he wrote with diligence till it is abundant.

He visited Vienna at 1781, where he attained the top of fame, but little money.

He left his beloved wife Constanze also his two sons. Mozart was forced to sacrifice everything, probably for the sake of getting peace of playing music in his soul.

When he was working out a sense of bitterness, his music seemed as solace, which is more inflamed into the soul.

His heart was sailed by fantasy to compensate for a painful forging of the wanderer, hung to meet merriment.

As if the God breathes the mild spirit into the fontanel that is whipped by misfortune, since the sincerity has the mature high-minded.

No bumps though pinch twit in the music, its melody is running as nimble as the legs of children blessed childhood.

Mozart was delighted to learn to all, developed his talents through various styles, to earn the grace of the spirit of enchantment.

Like wines are mature on the quest of sunlight, from the begging in the alleys of the city; his will was determined to share a smile.

Even Beethoven wrote his own early compositions in the shadow of Mozart, he is a true artist who could inflame the heart, to the one deepens his character.

What he built is the necessity of life, the forging of space-time, and the dust in the corner of the city of Vienna; through the river he obtained the shadow of himself, smiling to blossom souls.

His senses were so bright to shine the brilliant, as bright as the stars on the night sky.

With a piece of paper to convince his personality filled with blessings of obedience of the fate carried, engenders melodious tones filling every era. Mozart smiled in silence.

The challenge of tired life is starving, headache, fevering and head pain, and any other underprivileged.

He apprehended it up to oddly delights; only certain people could compensate the underprivileged, without any stops into the defensiveness.

He pushed all for the beauty of music that he strived to be eternal, to the bottom essence.

To look for what the time wished for his greatest destiny; how sweet the space of bitterness is.

The Mozart’s soul is tough like the stones on the river, the clear water appears the beauty. Patience leads to the whole view of the various problems.

Incarnates to be the hum of the politeness of joy, from the fortitude is processed repeatedly for the sake of the perfect of soul to get the mature character.

He carried the Harmonious of history in the streets to wade across the periods, to be more complete and then repeated.

Behind his diligent of exercise; played music, created poetry, is the result of maturing the matter of life.

The artist risks the whole soul-body to perform the advancement; the paths are passed as the realization of life’s devotion.

Reaches what spread around by the smell of flowers, the color of leaves in the dark of night, the light of day, the wind anesthetized the eyes.

Inattentiveness, rash, culminates in turmoil crater reddening in the body of invulnerability;

footbridge crossing shows the success of learning, also studying seriously about the self- nature.

And Yuja Wang has trained patience since she was childhood; her cute personality is not yet fully realizing the magic messages hummed by Mozart.

The music she played gives a lot of teaching without patronizing, as such is work of a true artist’s success.

Giving advice doesn’t have to touch personal reasoning, but attacking the thinking harmoniously and anesthetized.

What happened, the memories arose up by itself, drifted into the bottom of daydreaming when is stretching the meaningful.

The heart did not want to walk away, because it was showered by ocean waves about the consciousness of the untold foam of graces.

It is also not complacent, because the inland plateau receives with shiny faces; its fields are processed for shared prosperity.

Thus like the depiction idea of the philosopher Thales (624-545 BC), on the beauty of spreading for the festive of the lights of humanity.

From limitations, Mozart has broad minded, his comfort is reflected in his flexibility in playing music.

His sonnets are gentle as soft as the splattering waves onto the feet at night walkers, the body of the feeling of coast is stretching on hold.

The listeners are attacked by thirsty, the souls crave on dance, to fulfill human spiritual.

Prettiest joy, melancholy of women and events of well-being; his musings are clean toward the nature of love.

How subtle seduction does not seen, but the souls are chanted in the song of holiness.

The miracle of the bitter fate blesses in every curve means the life.

Flying dust, flashed by the light just as the stars and the holy morning sprinkle hope.

All are raised with the pull of the body of energy, a shiny feelings soared into the sky.

Flied by the wind on desert of full moon; instinctive manifests upon the breaths sing the songs of prosperity.

When he started the music of sadness, the pain of heart doesn’t kill the spirit of feeling.

There was a touch of magic reflected, determines the strength of regret for the sake of taking the way back carefully.

Returns the clink of birth, the holiness toning down the view of the inner of maturity, tears are spilled out in abundance.

Dropped dew mature leaves, for the sake of knowing the truth.

Counts the beauty tones, slowly and surely steps on the pervasive of the levels of life’s cruel that sometimes does not know communality.

Mozart leads his heart to settle the pain to transform the salt of knowledge. To sincerely comprehend his heart’s softness, we must sit in state in the whole colors of future.

It is the lesson of the distance and the time, living this life with contemplation from each bending of events.

Seduced by compliance, resignation of resilient artist is for the sake of the beauty for human kind, by His bounty.

The harmonious of rhythm coupled with the changes, from pouring of natural affection to the life.

The teaching is never gone up, doesn’t demolished by the repeatedly bitterness, by the persistence expects the harmony.

It was pleasant bitterness in the future, narrated lasting memory. To whatever natural it keeps melodiously reverb.

Maturely studied the world of between, transformed the strains into each ear, tasted the longing of worship.

That is the musical poet of Mozart lives among us, who came to entertain the uncertain anxiety.

Rabu, 24 Maret 2010

Read Ravel (1875-1937) through Yuja Wang

http://www.facebook.com/topic.php?uid=64357702506&topic=11797
Written by Nurel Javissyarqi
Translated by Agus B. Harianto

Joseph Maurice Ravel (March 7, 1875 – December 28, 1937), French composer of impressionist music, who is known especially in melodic, orchestra, instrumental textures and effects. Most of them are the piano music, chamber music, vocal music and orchestral music had entered the standard concert repertoire.
According to J. Van Ackere; people do not describe Ravel like Beethoven with his messy hair, with his music notebook escaped him self to the world of loneliness, or like Schumann, who contemplated at the river Rhine, with unfocussed eye and lost to somewhere else. No. Try to follow to the summer house in Montfort I’Amaury in studio to freshen eyes. Here, Ravel was sitting behind his desk, was studying the results of his orchestra combination with the precision of an expert in the laboratory which would determine the chemical reactions in the pipe of his experiments. With a timbre, he merely turned anything he desired; the forest where Duimpje is hopping, fragrant of gardens of Spain in the light of morning from the pastures of Greece. He was counting, thinking and calculating. Not even one of musical note got far from he wanted; and rested for a while, even the slightest sign of life has meaning. To Ravel should check our vocabulary. He did not like the noise, adjectives, exclamation marks, and the attackers. He was suspicious to the spirits and feelings. But of course Ravel is a touchy (token from the book Musik Abadi (Eternal Music), translated by J. A. Dungga, Djakarta, Gunung Agung, Tth.)

On the work of Ravel entitled “La Valse” which was adapted by Yuja Wang in the music of piano, and a note of J. Van Ackere;

Ravel lyricism appeared to be in the mastery of all reason, how it is floating but it still in the limits of logic.

That is maturity of a realist, who was not drifted out by the outside colors, although walking in the garden of flowers and the luxury of the city.

Because of his devoted to explore the natural of himself, after understood the social matters, by a careful consideration.

Similar like the simplicity of the people of the city, which creates their own elegance, when power of needs have been resolved.

Ravel’s desire was not sloppy, whom wandering far without lunch, but sailed all the schools onto the game has known.

From the private rooms, reflected introspection in each his arisen music.

Flowers blossom of marble stones, or pure crystal on the table, when luxurious banquets of reflection.

Or the middle class of the seeds of thought by philosopher Leo Tolstoy, on the enlightenment of life in the countryside;

rate of time run regularly, so that research on human soul, also thought the city, can be examined carefully.

Period hung normatively, creates concepts of harmonism, by the personal tensions, surrounded by the motion of heart, searching for an established and stabled principle.

The considering of his music turns on the meanings of the rhyme of life.

Ravel in the womb of impressionist, could establish the effects to transform to be the touches of life, all in an understandable limits.

Neatness of his music is not from the impact of upheaval, also did not sink away the soul to be washed away to the sea of fantasy, which eliminate supplies. No.

But his determination processed personality, mature the fiber planted roots into earth of consciousness.

Until the hurricane did not budge, did not knock down he already built, from the simplicity of student character.

I thought Yuja Wang deserved a place to play music, which is not far from the touching of playing sense, in the struggle of logic of Ravel.

Magic that had done by Ravel was so pure and abundant, the bright grains of stars scattered by the evening robe.

Until our eyes won’t stop to look at his playing, the beauty of music from a choice of formula has appropriate living.

Hypnotized the stage in the continuously rhyme and sometimes late into the soul, also along the sensory awareness.

There jolt intelligence of logic, systematic calculation, which is dangling strands of hair, in enchantment of his music.

The ocean waves have never stopped to do its destiny, aim to the steep rocks, and hit toward the sand of feelings.

Crouching like the silence of the rock of moon, in the sides of the human soul.

Ravel’s Music tempts the logic, and then just down the feeling, it was within the throwing limits of nets of reason.

He was not a charmer who spilled out all his pain, the longing of soul for the beloved, but created the mysteries, so the beloved one guesses what he desired.

Resembling like stretching of the modern world orders, withdrew the critical and accurate reasoning.

The calculation in the war, with sophisticated tools, from some of the sacrifices of the past;

his musical is the summary of life melodies, a fascinating and brilliant one.

By the diligence of his research, produced intelligence, deliberately or not, grew jealousy.

In the eyes of witnesses, token curiosity, they wonder what Ravel processed his smart brain from.

Those whispers, never had spoken, be a mystery in expression of admiration, which gave him breaths.

Yuja re-played Ravel’s music, and still maintained the awareness, not to get to the top of unawareness.

The madness is still calculating like reflection in a mirror, a cluster of schools of memorizing, which plays an important role, regulating the balance of long breath.

Thus reached the end in a stable state, such as suspicious romance, pleasure limited by distance (between).

However, the running of the melody and the rhythm of tensions, keep haunting the ear of memory, the clink rang, a told human desire of formulation is acceptable, and in the depth there is the truth.

Ravel could have done nothing tragic. He did not know the play. That other fields that interested to him, which is legendary, and full of charm (J. Van Ackere).

His rhythm fulfilled with joys, the world of the fairies, the figure of beautiful women, in the shadow of brilliance.

Nimble feet, stepped down on the wood ladders aim to the lake, daydreaming on the outskirts of prigi (spring or lake), which occasionally jolt by droplets.

Falling from leaves of dream incarnate hope, his music extends into the desert to reach the dream of logic of justification, with the beauty.
A. Syauqi Sumbawi A.C. Andre Tanama Aang Fatihul Islam Abdul Aziz Rasjid Abdul Hadi W. M. Adam Roberts Adelbert von Chamisso Adreas Anggit W. Aguk Irawan MN Agus B. Harianto Agus R. Sarjono Ahmad Farid Yahya Ahmad Yulden Erwin Akhmad Sahal Akhmad Sekhu Albert Camus Albrecht Goes Alexander Pushkin Alit S. Rini Amien Kamil Amy Lowell Andra Nur Oktaviani André Chénier Andy Warhol Angela Angela Dewi Angrok Anindita S. Thayf Anton Bruckner Anton Kurnia Anwar Holid Arif Saifudin Yudistira Arthur Rimbaud Arti Bumi Intaran AS Laksana Asep Sambodja Awalludin GD Mualif Axel Grube Bambang Kariyawan Ys Basoeki Abdullah Beethoven Ben Okri Bernando J. Sujibto Berthold Damshäuser Berto Tukan BI Purwantari Birgit Lattenkamp Blaise Cendrars Book Cover Brunel University London Budi Darma Buku Kritik Sastra C.C. Berg Candra Kurnia Cecep Syamsul Hari Chairil Anwar Chamim Kohari Charles Baudelaire Claude Debussy Cristina Lambert D. Zawawi Imron Damhuri Muhammad Dana Gioia Daniel Paranamesa Dante Alighieri Dante Gabriel Rossetti (1828-1882) Dareen Tatour Darju Prasetya Darwin Dea Anugrah Denny Mizhar Diponegoro Djoko Pitono Djoko Saryono Dwi Cipta Dwi Kartika Rahayu Dwi Pranoto Edgar Allan Poe Eka Budianta Eka Kurniawan Emha Ainun Nadjib Emily Dickinson Enda Menzies Endorsement Ernest Hemingway Erwin Setia Essay Evan Ys Fahmi Faqih Fatah Anshori Fazabinal Alim Feby Indirani François Villon François-Marie Arouet (Voltaire) Frankfurt Book Fair 2015 Franz Kafka Franz Schubert Franz Wisner Frederick Delius Friedrich Nietzsche Friedrich Schiller Fritz Senn FX Rudy Gunawan G. J. Resink Gabriel García Márquez Gabriela Mistral Gerson Poyk Goenawan Mohamad Goethe Hamid Dabashi Hardi Hamzah Hasan Junus Hazrat Inayat Khan Henri de Régnier Henry Lawson Hera Khaerani Hermann Hesse Ibnu Rusydi Ibnu Wahyudi Ignas Kleden Igor Stravinsky Imam Nawawi Indra Tjahyadi Inspiring Writer Interview Iskandar Noe Jakob Sumardjo Jalaluddin Rumi James Joyce Jean-Paul Sartre Jiero Cafe Johann Sebastian Bach Johannes Brahms John H. McGlynn John Keats José de Espronceda Jostein Gaarder Kamran Dikarma Katrin Bandel Khalil Gibran (1883-1931) Koesoema Affandi Koh Young Hun Komunitas Deo Gratias Komunitas Penulis Katolik Deo Gratias Koskow Kulya in the Niche of Philosophjy Laksmi Pamuntjak Laksmi Shitaresmi Lathifa Akmaliyah Laurencius Simanjuntak Leila S Chudori Leo Tolstoy Lontar Foundation Lorca Lord Byron Ludwig Tieck Luís Vaz de Camões Lutfi Mardiansyah Luthfi Assyaukanie M. Yoesoef M.S. Arifin Mahmoud Darwish Mahmud Ali Jauhari Mahmudi Maman S. Mahayana Marco Polo Martin Aleida Mathori A Elwa Max Dauthendey Membongkar Mitos Kesusastraan Indonesia Michael Kumpfmüller Michelangelo Milan Djordjevic Minamoto Yorimasa Modest Petrovich Mussorgsky Mozart Mpu Gandring Muhammad Iqbal Muhammad Muhibbuddin Muhammad Yasir Mulla Shadra Nenden Lilis A Nikmah Sarjono Nikolai Andreyevich Rimsky-Korsakov Nirwan Ahmad Arsuka Nirwan Dewanto Nizar Qabbani Noor H. Dee Notes Novel Pekik Nunung Deni Puspitasari Nurel Javissyarqi Octavio Paz Orasi Budaya Orhan Pamuk Pablo Neruda Panos Ioannides Patricia Pawestri Paul Valéry Paul van Ostaijen PDS H.B. Jassin Penerbit SastraSewu Percy Bysshe Shelley Pierre de Ronsard Poems Poetry Pramoedya Ananta Toer Pustaka Ilalang PUstaka puJAngga Putu Setia Pyotr Ilyich Tchaikovsky R. Ng. Ronggowarsito (1802-1873) Rabindranath Tagore Radhar Panca Dahana Rainer Maria Rilke Rakai Lukman Rama Dira J Rambuana Read Ravel Rengga AP Resensi reviewer RF. Dhonna Richard Strauss Richard Wagner Ridha al Qadri Robert Desnos Robert Marcuse Ronny Agustinus Rosalía de Castro Ruth Martin S. Gunawan Sabine Müller Samsul Anam Santa Teresa Sapardi Djoko Damono Sara Teasdale Sasti Gotama Saut Situmorang Schreibinsel Self Portrait Nurel Javissyarqi by Wawan Pinhole Seno Joko Suyono Sergi Sutanto Shiny.ane el’poesya Sholihul Huda Short Story Sigit Susanto Sihar Ramses Simatupang Siwi Dwi Saputro Soeprijadi Tomodihardjo Sofyan RH. Zaid Solo Exhibition Rengga AP Sony Prasetyotomo Sri Wintala Achmad Stefan Zweig Stefanus P. Elu Subagio Sastrowardoyo Sunlie Thomas Alexander Sunu Wasono Suryanto Sastroatmodjo Sutardji Calzoum Bachri Sutejo Syahruddin El-Fikri T.S. Eliot Taufik Ikram Jamil Taufiq Ismail Taufiq Wr. Hidayat Tengsoe Tjahjono Thales The World Readers Award Tito Sianipar Tiya Hapitiawati To Take Delight Toeti Heraty Tunggul Ametung Ulysses Umar Junus Unknown Poet From Yugoslavia Usman Arrumy Utami Widowati Vladimir Nabokov W.S. Rendra Walter Savage Landor (1775-1864) Watercolour Paint Wawan Eko Yulianto Wawan Pinhole Welly Kuswanto Wildani Hefni William Blake William Butler Yeats Wizna Hidayati Umam World Letters X.J. Kennedy Yasraf Amir Piliang Yasunari Kawabata Yogas Ardiansyah Yona Primadesi Yuja Wang Yukio Mishima Z. Afif Zadie Smith Zeynita Gibbons